Episode Five: Mandates and Manifestos

Topics in this episode include Factory Theatre, Tarragon Theatre, and their commitment to developing Canadian playwrights. Funding, community building and mandate shifts. Please stay tuned for Part 2, a conversation with Why Not Theatre’s Ravi Jain which will be uploaded in two days. [Update: The Audio for my interview with Jain was poor so I did not post it.]

Ray listens to me podcast.

Ray listens to me podcast.

Episode Seven: Theatre on the Cusp: The Fortune in Men's Eye and Canadian Playwrighting

In this episode, my colleague, Dr. Cameron Crookston and I discuss John Herbert’s play The Fortune in Men’s Eyes. Topics include - how time changes language and the importance of historical context when discussing tricky words, gender and sexual identity, and John Herbert and this play’s role in the Canadian drama and theatre canon. This episode includes a discussion of violence and sexual assault; listener discretion is advised.

Episode Eleven: Adapting the Canon

Last week’s episode was delayed due to a technical issue and was “performed live” for my students on Monday, 23 November. I re-recorded it here. Topics include - The Birds by Yvette Nolan, Miss Julie: Sheh-mah by Tara Beagan, Harlem Duet by djanet sears and Good Night Desdemona (Good Morning Juliet) by Ann Marie MacDonald.

Episode Nine: Dramaturgy, Disability and David Freeman's Creeps

The topics of this week’s episode include the development of Canadian dramaturgy, disability theatre and the development and legacy of David Freeman’s 1971 play Creeps. I am joined by Dr. Lisa Aikman, who explains what the heck dramaturgy is and what dramaturgy in Canada is like. She also has insightful things to say about the play’s use of language, poetic realism as a Canadian theatre “house style,” and why so many early Canadian works are about marginalized communities.

Here is an essay by Adam Grant Warren.